Coaks

Coaks


How far do you see this art form developing in Saint Lucia and the wider region? And to tell me that is what you are allocating yearly for culture, I am really not pleased with that. That did not happen yesterday. This served as a platform to launch his comedy career. Everybody knew each other; Angelbot lived right next door, Bishop, Gonzag and those persons lived across from us, and Stepanie and Anglasia lived down the road. Eventually he became a member of the popular Che Campeche. Jamaica planted that seed in their athletes and artistes and they are reaping the benefit now. But though it never materialized, I gained experience at the rehearsals where we did some extensive work. I strongly feel that with acting it should start at the primary school level, the grass roots level because not everyone is the theory-type academic. If we are talking about culture and where we want to go with it, I mean this is ridiculous. Although the Che Campeche members had no formal training they participated in workshops to develop and fine tune their acting skills, script writing and stage presentations. In the future I am looking forward to using my studio to do my work, and as anything else, I am always interested in representing the art form. First and foremost you must have a love, passion and commitment for your particular art form and then the monetary rewards will follow. You would be amazed to know the number of persons that possess vocational skills and have a talent. When did you first sense that you had a knack for performance comedy and drama presentations? It really hit me at about age 15 to 16 when I became more involved in acting with the older group members. I feel enough is not being done in that regard. What are your future aspirations for further development as an artiste? That is when we began putting things together and I began to get leading roles. How did you go about preparing for big stage productions? Since I had been exposed to acting through school plays it gradually became a part of me. This is something that developed along the way as we noticed that it was a strong selling point; so for our scripts we came up with the strategy where our plays always had a moral. I am keen on imparting knowledge to younger persons and I am preparing to conduct workshops with some secondary schools and other children. It was smooth sailing from there. We continue to address social issues in our presentations.

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Coaks

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MI MELE CHE CAMPECHE




That is when we began putting things together and I began to get leading roles. Eventually he became a member of the popular Che Campeche. He is the son of former Acting police superintendent, Gerald Cyril and the second of three children of his mother, seven brothers and six sisters by father. However, during that time the group broke up twice as some members migrated overseas and it was on the third time that we registered as a company. I strongly feel that with acting it should start at the primary school level, the grass roots level because not everyone is the theory-type academic. Interestingly, these were guys much older than me who were involved in the productions … and the good thing about all this is that we all came from the same community. Although the Che Campeche members had no formal training they participated in workshops to develop and fine tune their acting skills, script writing and stage presentations. My first advice to young people when I interact with them is that they make sure this is what they want to do, so that they never end up regretting getting into it in the first place. He was raised by his paternal grandmother who, from early, instilled in him a strong code of ethics and brought him up in a Christian family. First and foremost you must have a love, passion and commitment for your particular art form and then the monetary rewards will follow. Again, I must emphasize enough has not been done. In all, we addressed the issues, but there was a moral to the story we were telling.

Coaks


How far do you see this art form developing in Saint Lucia and the wider region? And to tell me that is what you are allocating yearly for culture, I am really not pleased with that. That did not happen yesterday. This served as a platform to launch his comedy career. Everybody knew each other; Angelbot lived right next door, Bishop, Gonzag and those persons lived across from us, and Stepanie and Anglasia lived down the road. Eventually he became a member of the popular Che Campeche. Jamaica planted that seed in their athletes and artistes and they are reaping the benefit now. But though it never materialized, I gained experience at the rehearsals where we did some extensive work. I strongly feel that with acting it should start at the primary school level, the grass roots level because not everyone is the theory-type academic. If we are talking about culture and where we want to go with it, I mean this is ridiculous. Although the Che Campeche members had no formal training they participated in workshops to develop and fine tune their acting skills, script writing and stage presentations. In the future I am looking forward to using my studio to do my work, and as anything else, I am always interested in representing the art form. First and foremost you must have a love, passion and commitment for your particular art form and then the monetary rewards will follow. You would be amazed to know the number of persons that possess vocational skills and have a talent. When did you first sense that you had a knack for performance comedy and drama presentations? It really hit me at about age 15 to 16 when I became more involved in acting with the older group members. I feel enough is not being done in that regard. What are your future aspirations for further development as an artiste? That is when we began putting things together and I began to get leading roles. How did you go about preparing for big stage productions? Since I had been exposed to acting through school plays it gradually became a part of me. This is something that developed along the way as we noticed that it was a strong selling point; so for our scripts we came up with the strategy where our plays always had a moral. I am keen on imparting knowledge to younger persons and I am preparing to conduct workshops with some secondary schools and other children. It was smooth sailing from there. We continue to address social issues in our presentations.

Coaks


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